“Sequence Across Golden Gate Bridge” by Ariel Zhang



Sequence Across Golden Gate Bridge

by Ariel Zhang

(i) 

over 4:36 pm stale coffee and orange wedges, my dad reminisces about a childhood song he never learned. he sings half of the song through closed lips. at least you know it now, i say, as if that could heal the staff lines on his back that his father made. i regret trying to understand him. my hands busy like traffic jams and a city trying to forget itself. i begin to perform an autopsy on an orange, separating spongy white tissue from orange fat. i want the world in its nakedness, inflamed and soaking up light. i want the world fully clothed, thick peeled and un-markable. after dinner, i say, let’s go see the bridge. my dad, who has a symphony in his ear only he can hear, gets up to grab his coat. i’d like to think, like shostakovich and all the other composers torn from their sleep, he inscribes his own initials into the music. 

(ii) 

in the aftermath of rain, powerlines scoop up San Francisco in handfuls of deserted buildings and washed out graffiti. spray paint and poetry run down the streets. i try to catch them all. until i realize that my hands are also neon pink, orange, and fading. the city, an aerosol, waiting to be shaken up. 

(iii) 

a man with butterfly skin

opens his arms to the sky and shouts, 

rainbow! look, rainbow! 

he traces his baton across horizons, past 

where the rainbow ends. 

i bet he can see more colors than we do. 

we are flushed 

(iv) 

to sea. i follow behind my dad 

as we press our belly buttons deeper 

into the city and watch the earth melt beneath 

our feet. the crisis counseling sign screams blue. 

the skyline undresses itself. how many autopsies

does San Francisco perform each day? 

is the only way to know a home, 

to know its bodies? is to know, 

to grieve? we collect our valved hearts 

over the sea drain and strain them 

with our bare hands. we violently shove the pulp 

back into our chests. 

we believe a safety net keeps us safe. we let slip as fast as water. 


but remember, there is poetry in these waters. these 

waters do not forget. they are calling for a 

flood. San Francisco perches in my backbone, 

and sleeps and sleeps and sleeps. i am waiting

for the rumble to wake her up.

Previous
Previous

“Souvenir” & “Everlasting” by Nitika Sathiya

Next
Next

FEB. 2023 ISSUE: "Shattered Memories" by Aida Ndiaye